Last week, I answered these questions for an instagram feature curated by artist and teacher Veronica Aranda.
links: 1 // 2 // 3
What is your artistic practice?
I am a visual artist who makes paintings and drawings, and enjoys playing around in other mediums when given the opportunity. I have been keeping journals and sketchbooks since I was a child, and consider daily writing or sketching to be a crucial part of my practice. My work uses observation of patterns as a framework for considering attention, embodiment, and communion.
What is art for you?
Art is learning to see more clearly, and responding in a generative way. I think about “learning to see” in the senses of honing my skills of observation, growing in the ability to remain connected to the present moment, and of paying attention to reality in the world and in myself, even (particularly!) when it’s difficult. For me, this is a spiritual practice.
What/Who/Where inspires or motivates you for your artistic practice?
This week, I’ve found inspiration in: cherry tomatoes ripening in our container garden, the book “Enduring Lives: Portraits of Women and Faith in Action” by Carol Lee Flinders, colleagues across the museum field who continue to call leaders to account for institutional racism and unfair labor practices, writings on pregnancy by Amy Bornman and Caitlin Metz, and conversations with a dear friend about the false divide between art and craft.
Part 1, which came second: end of semester / artist statement
In which the art taught me something, like it always does, and that something was a reminder rather than something new. It’s the same lessons – love, be not afraid, trust, stay – over and over again for this self who is by grace becoming a tiny bit more well-integrated.
And here’s part 2, which came first.
“I’m stumbling in pursuit of grace.”
Continue reading “end of semester / the stumbling”
In seeking to better pay attention, the art principles of pattern and repetition emerge as useful tools. Much of our learning relates to the recognition of patterns, whether biological, aesthetic, mathematical, or otherwise. By pointing out things we may have missed the first or second (or third) time around, they help us to notice.
This work1 maps, tracks, and presents as evidence some of the repetitions in my life. It takes advantage of the power of pattern in several ways: as documentation, remembrance, meditation, points of empathy, and studies in aesthetics. The physical processes inherent in art-making demand that embodiment accompany mental-spiritual presence, and embodiment is always relational.
“I am stumbling in pursuit of grace2” – wholeness, healed-ness, holiness – for “out of wholeness we make good things.3”
Out of wholeness, we love.
1some of it is here: lynnettetherese.com/portfolio
2Sarah Kay spoke this.
3Shauna Niequist tweeted this.