Having Wings is a community-sourced advent anthology created / edited by Amy Bornman (of All Well Workshop), and it contains a drawing I made and words I wrote this advent season. Amy’s thoughtfulness in her creative process and beautiful handsewn creations have been inspiring as I consider my work (“art” and otherwise), and how it intersects with the values by which I hope to live. So when she announced an invitation to participate in this gathering of poems for the hoping, waiting season of advent, I wanted to contribute.
Most of my drawings this year have been unplanned curves filling sketchbook pages, as I try to get outside of a systematic mindset when it comes to making. Searching for the intuition I hope I have, and maybe starting to find it in this practice. After filling untold sketchbook pages with these swirling lines, I started noticing forms that reminded me of art historical Madonna and Child paintings. (A lovely google image search: “abstract madonna and child”.) Continue reading “having wings”→
My friend commissioned these pieces as a gift for her husband; the text was excerpted from Wendell Berry’s poem, “The Country of Marriage“. Though I’ve been putting meditative text drawings and abstract/non-representational pieces next to each other for a couple of years now, this is the first time I’ve created a pair specifically to fit together rather than combining them after the fact. A small opportunity to practice conversation between these two ways of working.
Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.