My friend commissioned these pieces as a gift for her husband; the text was excerpted from Wendell Berry’s poem, “The Country of Marriage“. Though I’ve been putting meditative text drawings and abstract/non-representational pieces next to each other for a couple of years now, this is the first time I’ve created a pair specifically to fit together rather than combining them after the fact. A small opportunity to practice conversation between these two ways of working.
Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.
–Wendell Berry, The Country of Marriage
Last month the new Sugar Space Gallery in Indy (developed by fellow Herron alums Danielle Joy Graves and Nick Witten) kicked off with a Post-It Show at the Tube Factory Artspace.
Amy took home one of my drawings:
This year, I read more novels than I’d read in awhile. After growing up on them, I’ve been reading more and more nonfiction in recent years. Twenty-two of the books below were written by women. 42%, not quite up to half. Books can show you things you don’t believe, too, and should. Expansion, integration, mystery – yes to both.
(I read this poem by Mary Oliver, many times.)
In the coming year, I want to read more artist biographies, more science books, more by contemplatives and mystics, more novels that are the kind people call “sweeping”. I want to read more poetry. After looking through a few essays from my last semester of college, I also want to write and talk more about what I’m reading. It seems important to practice holding articulation and uncertainty together.
Continue reading “books (2017)”
+ bonus from bell hooks:
the “act of opening is a way of seeking love.”