books (2016)


  • Bel Canto, Ann Patchett
  • If You Find This Letter: My Journey to Find Purpose Through Hundreds of Letters to Strangers, Hannah Brencher
  • Every Good Endeavor, Timothy Keller with Katherine Leary Alsdorf
  • Home, Marilynne Robinson
  • Lila, Marilynne Robinson
  • Watership Down, Richard Adams
  • Erotic Ambiguities: The Female Nude in Art, Helen McDonald
  • Drawing From Life: The Journal as Art, Jennifer New
  • Of Mice and Men, John Steinbeck
  • Out of the Silent Planet, C.S. Lewis
  • 40 Days of Dating: An Experiment, Jessica Walsh and Timothy Goodman
  • I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban, Malala Yousafzai with Christina Lamb
  • Perelandra, C.S. Lewis
  • The Bluest Eye, Toni Morrison
  • Mindfulness: 25 Ways to Live in the Moment Through Art, Christophe Andre
  • Lean In: Women, Work and the Will to Lead, Sheryl Sandberg
  • Dog Songs, Mary Oliver
  • Color: A Natural History of the Palette, Victoria Finlay
  • Bad Feminist, Roxane Gay
  • Pictures & Tears: A History of People Who Have Cried in Front of Paintings, James Elkins
  • No Matter the Wreckage, Sarah Kay
  • One More Thing: Stories and Other Stories, B.J. Novak
  • The Book Thief, Markus Zusak
  • Pilgrim at Tinker Creek, Annie Dillard
  • That Hideous Strength, C.S. Lewis
  • The God of Small Things, Arundhati Roy
  • Unbroken: A World War II Story of Survival Resilience, and Redemption, Laura Hillenbrand
  • How We Are Hungry, Dave Eggers
  • A Short Guide to Writing About Art, Sylvan Barnet
  • Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century, Jed Rasula
  • Women in Clothes, Sheila Heti, Heidi Julavits, and Leanne Shapton
  • Small Wonder, Barbara Kingsolver
  • Modern Arab Art: Formation of Arab Aesthetics, Nada M. Shabout
  • Stardust: Supernovae and Life – The Cosmic Connection, John Gribbin
  • Slaugherhouse-Five, Kurt Vonnegut
  • *Still: Notes on a Mid-Faith Crisis, Lauren F. Winner
  • CivilWarLand in Bad Decline, George Saunders
  • A Poetry Handbook, Mary Oliver
  • The Hero with a Thousand Faces, Joseph Campbell
  • Pastoralia, George Saunders
  • H is for Hawk, Helen MacDonald
  • Remote Control: Power, Culture, and the World of Appearances, Barbara Kruger
  • Buddhism for Beginners, Thubten Chodron
  • The Agony and the Ecstasy, Irving Stone
  • Fool Me Once, Harlan Coban
  • Cold Tangerines, Shauna Niequist
  • Zen Mind, Beginner’s Mind: Informal Talks on Zen Meditation and Practice, Shunryu Suzuki
  • McSweeney’s #44, edited by Dave Eggers
  • Myths of Light: Eastern Metaphors of the Eternal, Joseph Campbell
  • A Wrinkle in Time, Madeleine L’Engle
  • Cambodia’s Curse: The Modern History of a Troubled Land, Joel Brinkley
  • *Searching for Sunday: Loving, Leaving, and Finding the Church, Rachel Held Evans
  • Between the World and Me, Ta-Nehisi Coates
  • Just Mercy: A Story of Justice and Redemption, Bryan Stevenson
  • The Great Derangement: Climate Change and the Unthinkable, Amitav Ghosh
  • The Great Gatsby, F. Scott Fitzgerald
  • This is the Story of a Happy Marriage, Ann Patchett
  • How to be Both, Ali Smith
  • Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality, Donald Miller
  • Thirst: Poems, Mary Oliver
  • Evidence: Poems, Mary Oliver
  • The Book of Buddhas: Ritual Symbolism Used on Buddhist Statuary and Ritual Objects, Eva Rudy Jansen
  • Swan: Poems and Prose Poems, Mary Oliver
  • The Circle, Dave Eggers
  • TED Talks: The Official TED Guide to Public Speaking, Chris J. Anderson
  • The Alchemist, Paulo Coelho

* = re-read

Fine Lines

This spring, I worked with Etta and Aaron (both seniors in the printmaking department) to create our joint thesis show, entitled Fine Lines. Completing a painting thesis at Herron includes several elements: an exhibition, oral review, and paper; the pieces displayed at Fine Lines represent several years of (conceptual and visual) idea development. Creating this show helped bring together components of my art practice which I’d previously seen as separate and difficult to reconcile. It provided space to consider the works in relationship to each other, the typically unseen elements of my art-making process, and real people who interacted with them. In the end, this portion of the thesis work was simply an extension of the rest of my years of Herron – art as process, as teacher, as connector.

The photos / statements below recap the visual part of my thesis work as seen at our show, which took place on April 15, 2016 at The Oilwick.


Fine Lines | Lynnette Therese Sauer

Show Statement: Marietta Miller, Aaron Green and Lynnette Sauer’s thesis exhibition is a celebration of line in drawing, printmaking, and painting.  The work is thematically varied but unified by their love of mark making. Fine Lines references the idiom “There is a fine line between x and y.” It is in the fragile in-between, the gray areas, that Marietta, Aaron, and Lynnette find inspiration for their work.

IMG_6256 Continue reading “Fine Lines”

process project / week 8

journal

process project / week 8 | LTS

process project / week 8 | LTS

process project / week 8 | LTS

process project / week 8 | LTS Continue reading “process project / week 8”