*one year + one month later
I never understood when people said their wedding day was the best day of their lives, until I had such a deeply good day on ours. We were surrounded by all of our family and friends, hosted at the home of friends, ate our go-to Indy fast food, and had a party. There were a lot of people, and a lot of planning went into it, but in the end it felt natural and celebratory. I’d dealt with a lot of anxiety in the year prior, and was nervous that I would be so paralyzed with it that I wouldn’t be able to enjoy the day. But the weather was gorgeous, and I felt so present to the day and its joy. What a gift.
And of course, Andy and I got to stand up and tell our truth – we love each other, and we promise to continue in that love for as long and as deeply as we can.
A couple months ago, I re-read our vows to each other. I think I was a little afraid that the words would be too specific to the people we were then. It’s only been a year, but they way I think about things has shifted; I see differently.
After reading them, I felt buoyed and hopeful, like these things are still true and they are spacious enough to keep walking in together for many years to come.
Continue reading “our wedding, one year later”
March – May 2018
+ journal excerpts
the subjectivity inherent in paying attention
Continue reading “spring sketchbook”
I spend my weekdays (and sometimes nights) in the Programs & Engagement department at the Rubin Museum of Art. Here’s a writeup from New York Times art critic Holland Cotter about current exhibitions and this year’s theme of the future —
My friend commissioned these pieces as a gift for her husband; the text was excerpted from Wendell Berry’s poem, “The Country of Marriage“. Though I’ve been putting meditative text drawings and abstract/non-representational pieces next to each other for a couple of years now, this is the first time I’ve created a pair specifically to fit together rather than combining them after the fact. A small opportunity to practice conversation between these two ways of working.
Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.
–Wendell Berry, The Country of Marriage