books (2019)

I’ve been thinking about what I read and why. Maybe this at its broadest: I am trying to understand the world, and myself, and the ways everything overlaps and intersects. Right now, though, it feels sort of difficult to focus on reading. I’ve been turning to poetry more than usual which feels manageable and grounding (midway through a Jane Kenyon collection currently), and am also finally getting around to posting my list of books read last year.

In mid-2019, went through a several month period of not reading much of anything but decided to let it happen and not try to cram in a ton of books at the end of the year to meet my GoodReads goal. Similarly, I only sort-of kept up with the “write something about every book you read” practice, and that’s fine. It’s back in progress for 2020, though! I missed having it to look back through at the end of the year.

Something else which feels significant in reflecting back on the year-in-books is that both Mary Oliver and Rachel Held Evans died in 2019. This interview (“Listening to the World“) with Mary Oliver from the On Being podcast has held up to multiple re-listens for me, and I returned to previously read books by both them (Searching for Sunday, Why I Wake Early). These women helped shift and expand my vision in meaningful ways and I am grateful for that. ♡ 

morning pages / reading spot
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Fine Lines

This spring, I worked with Etta and Aaron (both seniors in the printmaking department) to create our joint thesis show, entitled Fine Lines. Completing a painting thesis at Herron includes several elements: an exhibition, oral review, and paper; the pieces displayed at Fine Lines represent several years of (conceptual and visual) idea development. Creating this show helped bring together components of my art practice which I’d previously seen as separate and difficult to reconcile. It provided space to consider the works in relationship to each other, the typically unseen elements of my art-making process, and real people who interacted with them. In the end, this portion of the thesis work was simply an extension of the rest of my years of Herron – art as process, as teacher, as connector.

The photos / statements below recap the visual part of my thesis work as seen at our show, which took place on April 15, 2016 at The Oilwick.


Fine Lines | Lynnette Therese Sauer

Show Statement: Marietta Miller, Aaron Green and Lynnette Sauer’s thesis exhibition is a celebration of line in drawing, printmaking, and painting.  The work is thematically varied but unified by their love of mark making. Fine Lines references the idiom “There is a fine line between x and y.” It is in the fragile in-between, the gray areas, that Marietta, Aaron, and Lynnette find inspiration for their work.

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process project / week 8

journal

process project / week 8 | LTS

process project / week 8 | LTS

process project / week 8 | LTS

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