Here are the details for three chances to see my work in group shows this month – one in-person in NYC, and two virtual.
Things to Fall In Love With was the earliest drawing of these three pieces, and the other two were created in 2020. You can see how the series of drawings has evolved to include more colors and layers, and even the painting seems cohesive with this body of work. Sometimes my painting and drawing processes feel almost too distinct, but here things seem to hold together.
Building on pieces like the ones below, I have been doing more experimenting lately with layering painting and drawing elements together. Acrylic paintings over colored pencil grounds, ordering new paint markers, as well as making some paintings on found patterned paper rather than a background that is hand rendered.
Earlier this week, I posted some small sketches as an end of year studio sale and fundraiser for Bed-Stuy Strong and ISCP and wanted to share a little more about my connection to these two groups.
Bed-Stuy Strong is a neighborhood mutual aid network I have participated in since March thanks to a flyer posted outside a subway station. I’ve been donating, making some deliveries, and, lately, making calls to connect neighbors with groceries thanks to Bed-Stuy Strong’s organizers over the past eight months of the coronavirus crisis. I’m consistently amazed and moved by the love and support of my neighbors in this community.
ISCP (International Studio & Curatorial Program) is an arts org in Brooklyn which provides residencies for artists and curators from around the world as well as hosting exhibitions and public programs. It’s what brought me to New York in 2016 for a summer internship after finishing my BFA! Since then, I’ve stayed connected through volunteering at events and attending open studio nights.
To keep it simple everything is listed for $30 ($20 donated per sketch). Let me know if you have questions, or click here to read more. My big (!) goal is to raise $300 for each organization by the end of the year, and I’ll continue adding some more sketches to the sale page.
My painting Untitled (Abstraction 5 of 7) is included in “Wild Lands”, curated by Gina Tuzzi. She writes, “Finding our place in the balance is one hell of a dance.” This online exhibition will be live through December 6, 2020.
For the second year in a row, I’m happy to have a piece in benefit art exhibition for the Bemis Center for Contemporary Arts. My painting Return is included in this auction (with online bidding this year) from October 24-30. Proceeds support participating artists (like me!) as well as the Bemis Center’s programs.
You can view the exhibition / auction on the Bemis Center website. > bemiscenter.org/benefit (for direct link to my piece, click on the painting below. currently available at the “buy it now” price until bidding begins on the 24th.)
Ps. If you want to receive updates about new work and upcoming exhibitions occasionally throughout the year, join my email list! Here’s a sample that went out recently.
I am a visual artist who makes paintings and drawings, and enjoys playing around in other mediums when given the opportunity. I have been keeping journals and sketchbooks since I was a child, and consider daily writing or sketching to be a crucial part of my practice. My work uses observation of patterns as a framework for considering attention, embodiment, and communion.
What is art for you?
Art is learning to see more clearly, and responding in a generative way. I think about “learning to see” in the senses of honing my skills of observation, growing in the ability to remain connected to the present moment, and of paying attention to reality in the world and in myself, even (particularly!) when it’s difficult. For me, this is a spiritual practice.
What/Who/Where inspires or motivates you for your artistic practice?
This week, I’ve found inspiration in: cherry tomatoes ripening in our container garden, the book “Enduring Lives: Portraits of Women and Faith in Action” by Carol Lee Flinders, colleagues across the museum field who continue to call leaders to account for institutional racism and unfair labor practices, writings on pregnancy by Amy Bornman and Caitlin Metz, and conversations with a dear friend about the false divide between art and craft.
Two of my meditation drawings are included in Deep Blue See, an exhibition curated by Krista Scenna of Ground Floor Gallery in Park Slope, Brooklyn in partnership with Prevent Child Abuse America to raise awareness for Child Abuse Prevention Month during the month of April. [edit to update: show has been extended through June 1, 2020] I appreciate the gallery pointing out how work toward preventing child abuse is more important than ever at a time when people are staying home — home is not safe for everyone.
10% of sales from this exhibition will directly benefit Prevent Child Abuse America.
An oil painting from all the way back in 2014 is included in the Spring Flash Showroom by the Equity Gallery in lower Manhattan. It takes imagery from the architecture along the canal that runs through downtown Indianapolis, IN during my time studying painting at the Herron School of Art + Design.
This online sale runs for one week from April 10 – 17th. [edit to update: show has been extended through April 30, 2020.]