in situ: Untitled (layered meditation)

Untitled (layered meditation), 18×24 inches, colored pencil on paper, 2020
photo: Jared Baker

For the third year in a row, one of my artworks was included in the Bemis Center’s annual benefit auction. It’s always a pleasure to see my work in its new home – and what a lovely setting this one ended up in, with a lively green houseplant to keep it company!

This drawing is one of a series of my meditation drawings made about a year ago, in the first autumn of the pandemic – back home to New York, numbers rising again, the uncertainties of winter lying ahead. After time away from my studio, and away from the normal routines of life, I returned with a sense of urgency to these drawings – some in ink, some (like this one) in colored pencil. Looking at them now reminds me of feeling a bit desperate to get marks onto paper. The layered lines remind me of the warp and weft of the weaving made by my grandmother that hangs on the wall of our apartment, and of the way you can obscure a line of text best by writing something else right on top of it.

You can view more of the drawings in this series here, and bring one to your own home – here.

Take It or Lose It

My drawing Still is currently available as part of Collar Work’s online exhibition “Take It or Lose It” during its annual fundraiser (through July 17, 2021). All of the featured artworks are $500 and under and support both the exhibiting artists and the mission of Collar Works:

“Collar Works is a non-profit art space located at 621 River St. in Troy, NY dedicated to supporting emerging and underrepresented artists, working in any media, exhibiting challenging and culturally relevant contemporary artworks. Expanding the current art vernacular in New York’s capital region, Collar Works provides a venue for community dialogue focused on serious, provocative and spirited artworks.”

This drawing, finished in early 2020, is a predecessor of the colored pencil drawings I made this past winter. I enjoy the process of using line to create fields of color that fill a page; these pieces blur the lines between “painting thinking” (form and color relationships) and “drawing thinking” (line and mark-making) for me. Click on the photo below to read more, or perhaps bring it home for yourself!

Still, ink on paper, 12×16 inches, 2020

Ps. One of the other featured artists is Jane Kang Lawrence, who co-curated several of my drawings into the flat file program at PeepSpace.

end-of-2020 studio sale / fundraiser

Earlier this week, I posted some small sketches as an end of year studio sale and fundraiser for Bed-Stuy Strong and ISCP and wanted to share a little more about my connection to these two groups.

Bed-Stuy Strong is a neighborhood mutual aid network I have participated in since March thanks to a flyer posted outside a subway station. I’ve been donating, making some deliveries, and, lately, making calls to connect neighbors with groceries thanks to Bed-Stuy Strong’s organizers over the past eight months of the coronavirus crisis. I’m consistently amazed and moved by the love and support of my neighbors in this community.

ISCP (International Studio & Curatorial Program) is an arts org in Brooklyn which provides residencies for artists and curators from around the world as well as hosting exhibitions and public programs. It’s what brought me to New York in 2016 for a summer internship after finishing my BFA! Since then, I’ve stayed connected through volunteering at events and attending open studio nights.

To keep it simple everything is listed for $30 ($20 donated per sketch). Let me know if you have questions, or click here to read more. My big (!) goal is to raise $300 for each organization by the end of the year, and I’ll continue adding some more sketches to the sale page.