Untitled (layered meditation) at Bemis Center for Contemporary Arts

Pleased to share that one of my early layered, colorful meditation drawings will be included in the 2022 Bemis Benefit exhibition and auction in Omaha, NE taking place October 14-28, 2022.

View more drawings from this series here.

Untitled (layered meditation), colored pencil on paper, 18×24 inches, 2020

Westside Exposure: Whitney Staff Art Show

My drawing Untitled (layered meditation) was included in this Westbeth Gallery exhibition (September 2022) of work by artists who also happen to work at the Whitney Museum.

Untitled (layered meditation), 18×24 inches, ink on paper, 2020
Continue reading “Westside Exposure: Whitney Staff Art Show”

in situ: Untitled (layered meditation)

Untitled (layered meditation), 18×24 inches, colored pencil on paper, 2020
photo: Jared Baker

For the third year in a row, one of my artworks was included in the Bemis Center’s annual benefit auction. It’s always a pleasure to see my work in its new home – and what a lovely setting this one ended up in, with a lively green houseplant to keep it company!

This drawing is one of a series of my meditation drawings made about a year ago, in the first autumn of the pandemic – back home to New York, numbers rising again, the uncertainties of winter lying ahead. After time away from my studio, and away from the normal routines of life, I returned with a sense of urgency to these drawings – some in ink, some (like this one) in colored pencil. Looking at them now reminds me of feeling a bit desperate to get marks onto paper. The layered lines remind me of the warp and weft of the weaving made by my grandmother that hangs on the wall of our apartment, and of the way you can obscure a line of text best by writing something else right on top of it.

You can view more of the drawings in this series here, and bring one to your own home – here.

May shows 🌷

Here are the details for three chances to see my work in group shows this month – one in-person in NYC, and two virtual.

Things to Fall In Love With was the earliest drawing of these three pieces, and the other two were created in 2020. You can see how the series of drawings has evolved to include more colors and layers, and even the painting seems cohesive with this body of work. Sometimes my painting and drawing processes feel almost too distinct, but here things seem to hold together.

Building on pieces like the ones below, I have been doing more experimenting lately with layering painting and drawing elements together. Acrylic paintings over colored pencil grounds, ordering new paint markers, as well as making some paintings on found patterned paper rather than a background that is hand rendered.

virtual: “Geometric Gestures” at dodomu gallery, May 6-June 2

Untitled (layered meditation)

in-person pop-up: “May I…” at StartaArta, May 6-14

Layered Practices

virtual: “Tell Me More” at Art Gallery 118, May 4-June 4

Things to Fall In Love With

To inquire about any of the above, please email hello@lynnettetherese.com or visit my profile on Art In Res.

in situ: Darkest Before Dawn

I recently picked up these three drawings after the conclusion of “Darkest Before Dawn” at Ethan Cohen KuBe which was extended through the end of February. Really appreciated the pairing of these pieces with a loose gestural wall drawing that provided some warmth and high energy.

The drive to Beacon was all almost-green, everything on the verge of displaying springtime growth. The red flourishes on the wall below were part of a larger mural in the KuBe, which inhabits an old school building in Beacon, NY.

Continue reading “in situ: Darkest Before Dawn”