in situ: Darkest Before Dawn

I recently picked up these three drawings after the conclusion of “Darkest Before Dawn” at Ethan Cohen KuBe which was extended through the end of February. Really appreciated the pairing of these pieces with a loose gestural wall drawing that provided some warmth and high energy.

The drive to Beacon was all almost-green, everything on the verge of displaying springtime growth. The red flourishes on the wall below were part of a larger mural in the KuBe, which inhabits an old school building in Beacon, NY.

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Darkest Before Dawn

Three of my meditation drawings which together reflect upon the phrase “open heart” are included in Darkest Before Dawn: Art in a Time of Uncertainty at Ethan Cohen KuBe, opening this Sunday.

Click here to schedule a visit either during the opening reception on November 1st, or throughout the duration of the exhibition. If you do visit, please let me know what you thought (comment below or send an email).

please note: admission is free; registration is required in order to ensure social distancing in the galleries

Abstract Thoughts

image via Art In Res (art by moi)

Artist-curator Mel Reese included my drawing let there be warmth, let there be light in this edition of Art In Res’ Weekly Curation, Abstract Thoughts. She writes,

“The beauty… is in the imperfection, the moments when we can spot the hand of the artist in the perpetual loop.”

This drawing is available for sale via Art In Res, which allows you to pay in monthly installments if desired. I will contribute 50% of my proceeds from the sale of this piece to Brooklyn Defender Services.

spring sketchbook

catalogue: Visual Thinking – International Juried Drawing Exhibition

Click the button below to view a PDF of the catalogue put together by the Thinking Through Drawing Research Network. This is my first time being included in an exhibition catalogue! See p. 43 for my drawing, Meditation XIX (the return of the repressed) – after Louise Bourgeois. As I wasn’t able to visit in-person, it’s been nice to be able to look through all of the drawings and get an idea of the exhibition as a whole.

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