For the third year in a row, one of my artworks was included in the Bemis Center’s annual benefit auction. It’s always a pleasure to see my work in its new home – and what a lovely setting this one ended up in, with a lively green houseplant to keep it company!
This drawing is one of a series of my meditation drawings made about a year ago, in the first autumn of the pandemic – back home to New York, numbers rising again, the uncertainties of winter lying ahead. After time away from my studio, and away from the normal routines of life, I returned with a sense of urgency to these drawings – some in ink, some (like this one) in colored pencil. Looking at them now reminds me of feeling a bit desperate to get marks onto paper. The layered lines remind me of the warp and weft of the weaving made by my grandmother that hangs on the wall of our apartment, and of the way you can obscure a line of text best by writing something else right on top of it.
You can view more of the drawings in this series here, and bring one to your own home – here.
Here are the details for three chances to see my work in group shows this month – one in-person in NYC, and two virtual.
Things to Fall In Love With was the earliest drawing of these three pieces, and the other two were created in 2020. You can see how the series of drawings has evolved to include more colors and layers, and even the painting seems cohesive with this body of work. Sometimes my painting and drawing processes feel almost too distinct, but here things seem to hold together.
Building on pieces like the ones below, I have been doing more experimenting lately with layering painting and drawing elements together. Acrylic paintings over colored pencil grounds, ordering new paint markers, as well as making some paintings on found patterned paper rather than a background that is hand rendered.
I recently picked up these three drawings after the conclusion of “Darkest Before Dawn” at Ethan Cohen KuBe which was extended through the end of February. Really appreciated the pairing of these pieces with a loose gestural wall drawing that provided some warmth and high energy.
The drive to Beacon was all almost-green, everything on the verge of displaying springtime growth. The red flourishes on the wall below were part of a larger mural in the KuBe, which inhabits an old school building in Beacon, NY.
Three of my meditation drawings which together reflect upon the phrase “open heart” are included in Darkest Before Dawn: Art in a Time of Uncertainty at Ethan Cohen KuBe, opening this Sunday.
Click here to schedule a visit either during the opening reception on November 1st, or throughout the duration of the exhibition. If you do visit, please let me know what you thought (comment below or send an email).
please note: admission is free; registration is required in order to ensure social distancing in the galleries
Artist-curator Mel Reese included my drawing let there be warmth, let there be light in this edition of Art In Res’ Weekly Curation, Abstract Thoughts. She writes,
“The beauty… is in the imperfection, the moments when we can spot the hand of the artist in the perpetual loop.”
This drawing is available for sale via Art In Res, which allows you to pay in monthly installments if desired. I will contribute 50% of my proceeds from the sale of this piece to Brooklyn Defender Services.